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How would you articulate the bell hooks’s notion of “oppositional gaze” with the way the bodies are positioned in the films Alma no Olho (Zózimo Bulbul, 1973) and K’bela (Yasmin Thayná, 2018)? What would you say about the place of gender in the films?
Please, remember to establish a dialogue with Janaína Oliveira’s text too.


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